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Horror for the Discerning Fan

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The 2019 Sundance Film Festival and Horror Movies

The time has come for the Sundance Film Festival 2019!

You guys, I’m so excited to see what all Sundance has in store for us on a horror front. Year after year, Sundance has provided some really cool cutting edge horror ranging from the commercially and critically brilliant (2017’s Get Outto some very intense horror films (like last year’s Hereditary).

In fact, Sundance has always been a showcase for up-and-coming horror. Sundance brought us last year’s Mandy and Revenge in addition to The Blair Witch Project, American Psycho, Saw, 28 Days Later, The Descent, and The Witch

Truly, the Sundance Film Festival is one to watch, which is why I’ve covered it for both 2018 and 2017. This year, I’m excited to see the wide array of horror films. There are so many! And so many different kinds. There’s the arthouse gore of Velvet Buzzsaw, the black comedy of Little Monsters, and survival horror of Corporate Animals. I can’t wait to see what films have legs and become future horror heavyweights.

Enjoy!

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My List of Most Anticipated Horror Films for 2019

A new year, a new slate of horror movies to anticipate. This year, as with nearly every year, there are so many horror films to choose from. And as with every year, there are some movies that look DOA (like La Llorona, which looks so cheesy) as well as some films that will blow us all away (Jordan Peele’s Us looks way intense, I’m ready but so unprepared at the same time).

That being said, this year’s anticipated horror list includes a whole lot of sequels (4 total) and remakes (2 total). 2019 is the year of Stephen King, as his stories have inspired THREE of the fourteen movies on my list. But there’s also a fair bit of original content, like Us, Brightburn, and Ma.

I’m just so excited to see all of these. As always, stay tuned for my reviews of these films! Enjoy!

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My Christmas Wishlist for Horror Movies to Remake

“Remake”—the very word inspires the most dramatic of eye rolls for horror fans. That’s because so many horror remakes are unnecessary. All too often, remakes are based on films that were wonderfully crafted, and some producer somewhere is trying to make a quick buck by dragging a good movie’s legacy through the mud.

Seriously, how frustrating is it when a solid, well-made horror classic, like 1982’s Poltergeist, gets remade? Poltergeist didn’t need a remake! And if someone just had to remake it, couldn’t they have created something better than the 2015 remake?

But then, again, how cool is it when a horror remake actually adds to or improves upon the original horror film? As much as I love Dario Argento’s Suspiria, it has its flaws. Luckily, the remake of Suspiria paid homage to the original, avoided copying the original’s aesthetic, and dove deep into the plot. What resulted was an original film that preserved the original’s legacy and stood on its own.

Or take the most recent news about the remake of Candyman, a good film that could have been great. It’s set to be produced by Jordan Peele and promises to dig into the power of the Candyman mythos against the backdrop of the now-gentrified area where the Cabrini-Green housing projects once stood. With Peele at the helm, I’m optimistic that this remake will cover a lot of new ground when it comes to racism and class differences, which is sadly very relevant.

That got me thinking—what are some other horror films that deserve a remake? What are some films that were good but not great, full of potential that shouldn’t be wasted? For whatever reason, be it a shoe-string budget, uneven writing, or production troubles, tons of horror movies never reached their full potential despite having most of the parts to do so.

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Expand Your Horror Tastes with These 10 Horror Comics

One of my favorite things about the horror genre is how versatile it is. From films, television shows, books, and art, horror can triumph with the right story and the right talent. And this is particularly true for the horror comic.

It’s a very different experience for horror fans—horror comics have the cinematic qualities of movies with the immersive elements of books. The most effective horror comics take the best aspects of comic book storytelling with stunning artwork, creating unique and deeply disturbing aesthetics that suck in readers and stick with them for days afterward.

With the success of The Chilling Adventures of Sabrina on Netflix, I’ve decided that more people need to know about the horror comic, which reboots the bubbly Sabrina The Teenage Witch series with a decidedly darker angle. And while we’re at it, let’s discuss a small portion of the staggeringly good horror comics the medium has to offer.

Enjoy!

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The Chilling Adventures of Sabrina: Teen Drama & Resisting the Patriarchy

*Mild spoilers for The Chilling Adventures of Sabrina*

To the delight of many horror fans (myself included) witches are enjoying a moment in the sun right now. This year has seen films like Hereditary and Suspiria make waves with their frightening portrayals of one of civilizations oldest horror archetypes. And now, Netflix has thrown its hat into the ring with The Chilling Adventures of Sabrina, based on the horror comic of the same name, itself a dark reimagining of a beloved Archie icon.

Similar to the light and wacky ’90s show Sabrina the Teenage Witch, this new Sabrina (Kiernan Shipka) is a half-witch, half-human teenage girl, living with her magical aunts Zelda and Hilda. As if navigating the pitfalls of high school and teenager problems weren’t enough, Sabrina must also contend with the added responsibilities of her blossoming magical abilities.

That’s where the similarities end, because like the horror comic, The Chilling Adventures of Sabrina casts Sabrina and the other witches as everything old-timey witch-hunts said witches were: full-on devil-worshipping cannibals who hold black masses in the woods and have a dangerous propensity to interfere with mortal affairs. In this new TV series, Sabrina must decide if she will embrace her human side and forsake her witch heritage, or if she will join her family by signing her name in the Devil’s book and give up the mortal world.

It’s a fun and macabre show, with lots of entertaining twists on old TGIF material. But more importantly, the fascinating thing about The Chilling Adventures of Sabrina is how sharply it examines the power dynamics of being a witch. Power and influence trickle down from Satan, to his high priests (all men), to influential coven members, until those at the very bottom tear at each other for scraps. This dynamic is intentionally juxtaposed against Sabrina’s yearning to harness her fledgling powers and use them as she sees fit. Continue reading

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November Horror: Suspiria, Overlord, and A Christmas-Themed Zombie Musical

It’s officially November, which means that we’ve got a whole new slate of horror movies to discuss while steadily munching on leftover candy.

The months after October were usually devoid of quality (or even interesting) horror movies because the holiday season is the domain of awards seasons hopefuls. But that’s changed in recent years as more and more studios realize there is a year-round audience for horror.

As such, there’s a not-terrible slate of horror movies to choose from this November. Based on trailers alone, highlights include Luca Guadagnino’s stylish remake of Dario Argento’s classic Suspiria, WWII occult-horror Overlord, and zombie-musical-comedy Anna and the Apocalypse. (I’ve been waiting for that last one since I first learned about it at FantasticFest 2017! I never knew how badly I wanted a Christmas-themed zombie musical until then.) But November also has a large number of stinkers, like The Amityville Murders (can they stop with this franchise already? Lord have mercy), The Farm, and The Possession of Hannah Grace.

Enjoy, and let me know what you think in the comments!

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Apostle: A Promising Religious Horror That Should’ve Been a Miniseries

Every once in a while, a horror movie comes along that blows away audiences and critics alike. These films are nearly flawless, making perfect use of scares, genre conventions, plotting, character development, cinematography, and score to weave a bewitching triumph of filmmaking that both expands and transcends the genre.

Unfortunately, Netflixs’s Apostle is not one of these films. But damn, I had fun watching it!

Inspired by British religious horror classics The Wicker Man and The Devils, Apostle admirably bites off more than it can chew. Ambitious and thoughtful, it is a gory, thrilling film that needed more space to breathe to achieve horror greatness.

I get into a lot of spoilers here, so be warned. But that shouldn’t stop you from checking out Apostle.

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Halloween (2018) Review: Entertaining, Violent, and Thought-Provoking

***Warning! Spoilers for Halloween (2018)***

It’s a rare thing to see a horror movie sequel that expands upon and develops the source material in an exciting, worthwhile way. It’s even more unusual and unexpected for a film with as storied a following as John Carpenter’s Halloween. A groundbreaking film that spawned a stream of uninspired sequels, the original Halloween finally has a sequel worthy of its legacy in the latest Halloween film, from Blumhouse Productions.

This horror fan enjoyed the film immensely because it did much more than pay fan service to horror legend. Halloween (2018) dove deep into the genre in a way that slashers rarely do. Sure, it’s got the body count, jump scares, and genre conventions of a slasher (along with some clever role reversals and callbacks), but Halloween will be remembered as a meta-slasher.

halloween

40 years after the events of John Carpenter’s Halloween, Laurie Strode, the only survivor of that fateful night, is convinced that Michael Myers will come for her again. Between not treating her PTSD and struggling to live a functional life, Laurie has become a hardcore survivalist. But she’s lost a lot in the process. She has a strained relationship with her family—daughter Karen, son-in-law Ray, and granddaughter Allyson. She is a recovering alcoholic. She doesn’t seem happy at all. But at least she knows that when Michael Myers returns, she’ll be ready for him.

And sure enough, Michael Myers escapes from state custody the night before Halloween. He hasn’t forgotten about Laurie either, and he will stop at nothing before he finds her and kills her. After all, she’s literally the one that got away.

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October 2018 Horror Movies: Netflix to the Rescue

I have to be honest…I’m disappointed in the slate of horror movies for October 2018.

Shouldn’t the movie release calendar for October be overflowing with horror movies? I’m not even asking for good horror movies. I’ll take them all–well-made, shoddily-made, solid casts, bad acting, inventive premises, uninspired ripoffs–I don’t care.

Where are all the horror movies?

I suppose I should be thankful for the movies we have. After all, the latest Halloween comes out this month, and I could not be more excited! Netflix’s Apostle and indie film The Dark also look like great contenders for worthwhile horror.

In fact, I’m just going to spend a lot of my time on Netflix this Halloween. Between Apostle and Netflix’s new series, The Chilling Adventures of Sabrina and The Haunting of Hill House,  Netflix seems like a sure bet for horror.

That’s not to say you shouldn’t check out the rest of the horror offerings this month. Maybe just…temper your expectations.

Enjoy!

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Revisiting Night of the Living Dead, 50 Years Later

The horror genre is littered with controversial films, films that inspired censorship and protests and extreme backlash. While controversy is certainly good for box office takes, it’s not always good for the critical interpretation of a film. Horror fans, especially, know that controversy does not always merit the backlash our favorite genre films receive. A violent or unsettling or difficult movie doesn’t mean it’s bad—sometimes, it means that the film has done its job.

Night of the Living Dead, George A. Romero’s 1968 black-and-white exploitation classic, is one such film. What modern audiences see as an undisputed but perhaps dated work of essential horror, contemporary audiences were shocked and appalled by Night of the Living Dead. It was violent! It was gory! It tested the very boundaries of decency!

Despite its critical success, the movie simply did not deserve to exist, according to some critics. As the Variety review put it, “Until the Supreme Court establishes clear-cut guidelines for the pornography of violence, Night of the Living Dead will serve nicely as an outer-limit definition by example.”

But it’s precisely because of those outer-limits that films like Night of the Living Dead are essential. They ask us to question art, to question the way we tell stories. They force us to consider uncomfortable implications of what we’re seeing onscreen. In short, they ask what deserves to be committed to film and why.

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