It’s summer time, and that means lots and lots of blockbuster pictures. It also means we’ll be on a steady diet of action movies, which is both good and bad. Good because I freakin’ LOVE action movies. Bad because that means there aren’t a lot of horror movies.
But there is a ray of hope in summer: the action horror film.
The action horror film is an audience favorite, for good reason. A good action horror movie smashes together the jump scares and roundhouse kicks, supernatural elements and thrilling fight scenes. When a horror movie makes me squeal in fear, an action movie makes me squeal in delight.
An action horror movie makes me do both, which makes for a thoroughly enjoyable and entertaining film-going experience. In the same spirit as a superhero film, an action horror movie lets me watch mega-powerful beings and monsters duke it out for my benefit, serving creepiness and gore the whole time.
I had hoped, sincerely, that Universal’s recent remake of The Mummy would satisfy my unquenchable thirst for badasses fighting monsters, but it sucks. Like, really sucks.
Side note: Universal really needs to get it together if it wants the Dark Universe to work.
Instead of slogging through a review of The Mummy, I decided to post about my favorite action horror movies. So here you go, thirteen awesomely cool, bloody action horror movies. They embody all the coolness of traditional action movies with the supernatural and horror baddies I love to watch. They may not be the smartest movies or the most culturally relevant, but they endure and impact audiences for years, and that’s something important.
Happy New Year!
January is one of my favorite times of the year because there’s so much hope for this brand new shiny year we have before us. With a new year comes new surprises and delights, and I feel particularly optimistic since I think 2017 owes us for 2016. Hopefully that will extend to horror movies.
The good news is that, if the January horror movie release calendar is anything to go on, 2017 is off to a solid start. We’ve got some awesome horror-action films, a M. Night Shyamalan psychological thriller, and a promising urban legend supernatural horror movie, among others that could surprise us.
One of my all-time favorite movies is 90s horror classic The Craft. I’ve loved this film since the first time I saw it, close to 20 years ago. I think it’s something of a perfect movie in many ways— gloriously 90s, unapologetically goth, and brimming with witchy fun. Those god-awful clothes? That terrible wig Robin Tunney wears? The maroon lipstick and smudged black eyeliner? Love Spits Love’s awesome cover of The Smiths “How Soon Is Now”?
Neve Campbell, what are you wearing?!?!
One of my biggest horror movie pet peeves is when characters die from making incredibly irrational, stupid decisions. Not when a character is stressed and freaks out, but when a character is a genuine idiot. I hate when that happens in movies because 1) most people aren’t that stupid, 2) convenient stupidity for the sake of moving the plot forward is the height of lazy, contrived writing, and 3) that shit isn’t scary.
I’d rather watch a movie where the characters are smart but woefully unprepared for the nasty situations they find themselves in. Helplessness is always scarier than stupidity.
And that’s why, despite my natural avoidance of super-gory horror, I really enjoyed Green Room.
Hey Houston, wanna see a free advance screening of Green Room before it opens on April 29? I got passes!
I have 25 passes for a special screening on Thursday, April 21 at the River Oaks Theatre on 2009 W. Gray in Houston. Each pass is general admission and admits two, so grab a friend and make a night of it! The movie starts at 7:00 PM sharp, so be sure get there early to guarantee your spot!
Follow THIS LINK, fill out the information, and secure your pass.
I didn’t realize until fairly recently, but February is Women in Horror Month! February 2016 marks the 7th annual Women in Horror Month, or WiHM, which aims to “encourage supporters to learn about and showcase the underrepresented work of women in the horror industries.” Women in all parts of the horror genre are represented—female horror directors, female horror writers, female horror artists, and many more.
I love that this initiative exists! Why should boys have all the fun? Everyone can contribute to horror. It’s refreshing to see women who love horror come together to support each other. There are many talented individuals sharing in this genre, be it through fiction, film, comics, or art.
About ten or fifteen minutes into The Witch, I realized I was holding my breath. My shoulders were tense, shrugged up towards my ears as I sank further into my seat. I told myself to relax and just watch the movie, but I couldn’t. It didn’t help that I ended up curled up in my seat in preparation for the next insane development. And it didn’t help that the story became more and more unnerving and the scares more and more startling. Hours after the film had ended, I was still tense. I couldn’t stop revisiting the film, obsessing over certain scenes and replaying others in my head, desperate for details I’d missed.
It’s been a long time since a film, horror or otherwise, has provoked me like The Witch has. Few horror films have ever left me in a state of lingering physical discomfort. Not many horror movies have scared me like this, where I could not predict what fresh hell would come next. And few movies have left me this awestruck, because The Witch is one of the best horror films I’ve seen. It proves the level of art and craft the horror genre is capable of attaining.
And that’s because The Witch is not just a film. It’s an experience, a study in fear.
Great news, Internet!
H.R. Giger, Swiss surrealist, artist, and creator of the iconic designs behind such films as Alien, Poltergeist II: The Other Side, and Species, is the subject of an intriguing new documentary. Dark Star: H.R. Giger’s World, directed by Belinda Sallin, offers an intimate view of the artist during an interview conducted in his dark and cluttered home. The man, the legend, invites the viewer to follow him deeper and deeper into the recesses of his home, which is full of stacks of books, his painting and sculptures, and countless items assembled for inspiration.