Stories For Ghosts

Literary Horror for Everyone

Category: Award-Winning Horror

July 2017 Horror Movies: A Low-Key Month

While the dead of summer is when we expect many of the big action blockbusters, the same cannot be said of horror movies this year. July 2017 horror movies are a bit low key this month, though not without some interesting entries. There are three movies that showed at the Sundance Film Festival back in January. There’s one mainstream summer scary movie. And, as always, there are quite a few low-budget, low-profile horror flicks rounding out the July 2017 horror movies. It’s definitely a mixed bag, but with movies like Killing Ground and It Stains the Sands Red, there’s hope for horror this month, despite the appearance of Wish Upon.

If nothing else, it will be only a few short weeks until The Dark Tower, Annabelle: Creation, and Polaroid!

Enjoy.

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June Horror Movies 2017 – Heavy Hitters and Indie Flicks

Woohoo! June horror movies are here! There’s a lot this month, so strap in and buckle up because there’s wide array of films. There’s different subgenres, different levels of quality, and different levels of WTF-ness.

I need to apologize as well, because I’ve been traveling the last few days, which delayed my normal blog post schedule. Basically, I was traveling and boozing it up. Consequently, I wrote a lot of this in the Houston airport after drinking several glasses of overpriced wine (#noregrets). I am truly a Hemingway fan and wrote drunk and edited sober.

Can I just say that this was very fun to edit this? It was a challenge.

But anyway! Here’s your June Horror Movie list! You didn’t miss much from my post being late. Ooops!

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Much More Than Meat: SFG Reviews Han Kang’s The Vegetarian

***Mild Spoilers for The Vegetarian***

A core component of any good horror story is the characters’ apprehension of harm. Most of the time, the dread manifests as physical pain or violent death. Other times there are more abstract, existential ways of experiencing harm—a terrifying realization of past sins, slowly slipping into insanity, or losing one’s soul to a demonic entity. While physical pain will always be a powerful part of any scary story, an existential threat grabs me in a way most other types of horror don’t, probably because I have more to lose from an existential threat.

A realization that shakes a person to his core is, well, horrifying. It’s terrifying. Take the ancient Greek tragedy Oedipus, who realized he had unwittingly killed his father and married his mother. Or The Orphanage, where protagonist Laura realized she was the one responsible for the slow death of her adopted son. Bodily harm is awful and painful, but an earth-shattering existential realization can destroy the very idea of who a person thinks she is.

It can be extremely psychologically tortuous to deal with something like that, to be confronted with our mistakes and the lies we tell ourselves. People go to great lengths to preserve the reality they wish to see, even at the expense of themselves and others.

It’s destructive on a profound level, even more so if I am responsible for the obliteration of my sense of self.

The idea of self-destruction, of an unsettling, dark urge to protect oneself, of refusal, of stubborn persistence, is what fascinated me about The Vegetarian. It’s a novel about confrontation, about purposeful “self-destruction.”

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Horror Movies at the 2017 Cannes Film Festival

It’s time for the annual Cannes Film Festival! And that means there’s a whole new crop of Cannes horror films!

Cannes is one of the renowned and distinguished film festivals in the world, attracting talent and glitz from all over. The festival has proven itself to be an important predictor of award-winning and groundbreaking films. Among all those storied films, composed of equal parts Oscar-bait and innovative indies, are some of the best horror movies.

As I pointed out in last year’s post, films like It Follows, Green Room, Possession, and Evil Dead were all shown at Cannes. Cannes has always recognized good films, even if they do happen to be horror films.

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Call Your Mother, Then Watch These Horror Movies for Mother’s Day

One of the most popular horror movie trope is the Bad, Scary Mother. It’s not just horror movies that love to trot out a fearsome mother figure. Norma Bates wasn’t the first controlling, abusive mother to terrify her children, and she won’t be the last. Medea, Cinderella’s evil stepmother, Cersai Lannister—human culture and literature has countless examples of maternal figures that are selfish, manipulative, and downright evil. These figures are powerful because they fly in the face of our ideal image of what a mother should be.

And what should a mother be? This Mother’s Day, like all others, we will celebrate our mothers for their nurturing natures, for how loving and supportive and selfless and kind they’ve been to us. We will post cute vintage pictures of our mothers, young and bright-eyed, holding colorful little bundles of joy on their laps. We will send them flowers, buy them nice gifts, bring them chocolates, and wait on them hand and foot. They have given so much to us, we will say. They’ve sacrificed so much for us. They’ve been good mothers.

Does a bad mother fail to do all of that? Is that how easy it is to tell who is a good mommy and who is a bad mommy?

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All the Freshest Horror Films at the 2017 Tribeca Film Festival

The Tribeca Film Festival starts tomorrow! The film festival circuit is in full swing and Tribeca is the latest prestigious stop. And I’m going to tell you all about the featured horror films.

Tribeca may not be Cannes, but in its relatively short existence, Tribeca has proven itself a formidable and important film festival. Founded in 2002 by producer Jane Rosenthal, renowned actor Robert De Niro, and real estate mogul Craig Hatkoff, Tribeca has made a name for itself as a festival dedicated to presenting discerning and innovative filmmaking. More than the Cannes Film Festival or the Toronto International Film Festival, Tribeca is about independent films over “prestige studio movies.”

This year, there’s a great mix of various horror subgenres, from serial killer movies to artistic slashers to psychological horror, with loads of films falling between those categories or smashing through them. I have a feeling that some of these feature and short films will go on to generate plenty of buzz. Hopefully, we will see general releases of some of these. I’m particularly excited about Hounds of LovePsychopaths, and Retouch.

Enjoy!

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Raw Film Review: Julia Ducournau’s Voracious Triumph

*Beware: Here be mild spoilers for Raw*

During my time blogging about all things horror, I’ve found that most serious horror fans by and large stick to their favorite horror subgenres. They may only dapple in other subgenres, occasionally dipping a toe into art horror or zombie flicks, but not often. I do this. I love moody, tense psychological horror, ghost stories, and taut thrillers with elegant displays of horrific violence. Slashers? Not really my thing. The Saw movies? Ehhh, pass. And body horror? Definitely not my thing.

For some reason, body horror is particularly challenging for me. Thus, I avoid it. This isn’t to say that I think body horror is bad or uncouth or less capable of artistic potential. I accept the importance of body horror as a subgenre that is, at times, most-equipped to explore themes like mortality, physical weakness, aging and disease, over-population, and the disconnect between our mental power and our bodily strength. After all, body horror is the most universal kind of horror, since everyone is stuck in a decaying body and marches through a field of pain and pleasure towards death.

There are times when even I can’t look away from a well-done, brilliant body horror film, when even I have to admit that I really, really liked it.

This is how I felt about Raw, a 2016 French-Belgian cannibalism and coming of age horror film that made waves at Cannes last year and was finally released stateside a few weeks ago.

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Deep in the Heart of Texas! 2017 SXSW Horror Movies

Spring Break in Texas means a lot of things, like South Padre Island, Mustang Island, and South by South West!

I have many a fond memory of my time as a college student in Austin, Texas, too poor and too uncool to go to the exclusive, VIP SXSW events and having to settle for free events and waiting in line for screenings and concerts. Most of the time, I could only ever get into the musical events. I dreamed of the day I could afford a VIP pass to the SXSW Film Festival, especially because of all the freakin’ amazing SXSW horror movies there. So many great horror films premiered at SXSW! To name a few of those SXSW horror films, take French-extremism horror film Them, Lake Mungo, Insidious, and The Cabin in the Woods, to name a few.

Sadly, I’m still not in a place where I can take off a whole week to go party in Austin. Someday, I’ll get there. But until then, here’s a list of SXSW horror movies that are premiering this year! I’ve included a synopsis and a trailer if available. Enjoy!

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March 2017 Horror Movies – Cannibals, Grief, and Workplace Violence

Here in Texas, March is a bit of a tumultuous month. The weather is crazy, with hot days and chilly nights, and crazy pollen causing allergies like you wouldn’t believe. And the event scheduled is packed—you’ve got the weeks-long Cook-off and Rodeo, along with St. Patrick’s Day and Spring Break.

So too, the horror release schedule for March 2017 is a roller-coaster of horror movies. There’s blood and ghosts and humor and social commentary and fascinating stories. We’ve got some big, splashy gore fests in The Belko Experiment and Life, along with the artsy cannibal flick Raw. Later in the month, we see some pensive and creepy offerings with Dig Two Graves and The Blackcoat’s Daughter. And don’t overlook indie films The Devil’s Candy and Here Alone, both of which might prove to be pleasant, bloody surprises.

Let’s see where March takes us!

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Horror Movies at the Academy Awards – A Complete List

The Academy Awards are this weekend, and I’m excited! I’m a huge film buff and enjoy watching the Academy Awards every year. I strive to see all the Best pictures, even if I don’t agree with the choices. Despite my love and respect for the Academy Awards, I am disappointed that many excellent films are completely overlooked by the Academy. Especially horror films.

I shouldn’t be surprised. The Academy has a lot of issues. The Academy is a notoriously conservative body, reluctant to reward risks or give credit to inventive and brave filmmaking. Lately it seems like the more popular a film is, the worst its chances are for receiving any kind of recognition from the Academy, though there are notable exceptions. Why does the Academy pick certain films over others? I have no idea.

And while horror is criminally underrated and underappreciated genre, turning out well-made and culturally resonate films, there have been several films that the Academy has lauded for achievements in directing, acting, cinematography, and other facets of filmmaking.

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