**Beware: Here be spoilers For They Live.**
The 2016 Presidential Election is finally and mercifully drawing to a close. Regardless of political affiliations, it seems like the whole country reels from the drawn-out election cycle, temporarily traumatized by the mudslinging and grandstanding and pettiness. But this election has been one for the ages. I know everyone always complains that every succeeding election is worse than the one before, but this one was really, really nasty.
We are all overwhelmed by this election, a terrible yet fitting end to an exhausting year. Myself, I try to stay as politically connected as possible. I read the news, follow Congress’s lawmaking progress (or lack thereof), watch the President’s speeches, and read all the Supreme Court opinions I can reasonably fit into my life. So for this election, I gritted my teeth and surrendered to the vicious news cycle. I listened to stump speeches and watched the debates and did my research. It was draining. When I cast my early voting ballot, I was relieved because I thought I could stop caring for a while, until the next election cycle starts back up.
I threw myself into Halloween and friends and blogging. I tried and failed to distract myself. Not only was the election impossible to avoid, but I couldn’t stop thinking about it. I watched my horror movies and read my scary short stories and couldn’t help but ask myself, How will we express what this election has wrought? What art will come out of this election?
Which brings me to John Carpenter’s political sci-fi-horror B-Movie classic, They Live.
Everybody loves a good monster movie. It’s thrilling to watch an abominable creature stalk and hunt unsuspecting people. It’s exciting to watch the unsuspecting people run and hide and eventually figure out a way to defeat the monster. And sometimes it’s even more fun when the monster isn’t defeated (at least you know you’ll get a sequel).
I’ve talked a little bit about how, in addition to entertaining us, horror mirrors our fears through various horror tropes and stock characters. It’s my hypothesis that certain horror villains and boogeymen represent specific human fears. While vampires, werewolves, and zombies could also be considered monsters, the important distinction those creatures used to be human and often retain a bit of their humanity. Monsters like the xenomorph in Alien or the shark from Jaws are beasts; they are scary because of their inhuman nature. We humans may think we’re the masters of our domain and that the natural world is ours for the taking, but it’s all an illusion. We know that deep down. Monsters represent a world that has broken free of human control.
As a devoted horror movie fan, I’ll be the first to admit that the market is glutted with horror movies, most of them terrible. And not in an enjoyable, over-the-top kind of way.
If you are a horror movie novice searching for a good horror movie, the simultaneous breadth of availability and lack of choice entertainment can be discouraging. Horror fans feel that way all the time, but we know enough that we can make solid recommendations.
With Halloween fast approaching, I decided to compile a list of horror movies with solid scares and terror but that are accessible to a wide audience. The following films are perfect for a Halloween watch party because 1) they are relatively easy to find on streaming services, 2) they’re actually well-made films, and 3) they scare audiences in thoughtful, enjoyable, entertaining ways.
Even if you’re a horror movie buff, I feel like this list is a nicely packaged bundle of great horror movies that present a strong argument for the merits of horror. These movies are harrowing, smart, witty, and funny. They are heartbreaking and profound. They reinforce the magic of telling stories through the medium of film and legitimize a genre that critics loves to hate.
The premiere of Season 10 of The X-Files has come and gone, and so far, I’ve been pleased.
While the first episode may not have been the strongest episode ever, it gave us a solid dose of those mythological in scope, all-encompassing conspiracy theories we’ve come to know and love. Episode 2 was way more solid, truth be told, and pulled no punches when it came to violence and gore, which was a pleasant surprise.
It is good to have the old X-Files back. Conspiracy theories are all well and good, yes, but I have to say that I prefer the monster-of-the-week episodes with lots of scares and gore. They affect me more, they arrest my imagination and my heart and genuinely terrify. Those episodes make me question so much as they confront me with truly horrifying stories.
It’s why I keep coming back to The X-Files. I love how The X-Files forces me to think even as it entertains me, even as it scares me.
So, to continue from this post, here is Part 2 of my list of X-Files episodes that continue to scare me. Again, these episodes are presented in the order they aired.
(Also, spoiler alert, though, for real, these episodes aired at least ten years ago, if not longer. At this point, it’s your fault if you haven’t seen them. But at any rate, if you haven’t seen The X-Files, watch the whole show and then come back.)
Great news, Internet!
H.R. Giger, Swiss surrealist, artist, and creator of the iconic designs behind such films as Alien, Poltergeist II: The Other Side, and Species, is the subject of an intriguing new documentary. Dark Star: H.R. Giger’s World, directed by Belinda Sallin, offers an intimate view of the artist during an interview conducted in his dark and cluttered home. The man, the legend, invites the viewer to follow him deeper and deeper into the recesses of his home, which is full of stacks of books, his painting and sculptures, and countless items assembled for inspiration.