Few things make me happier than finding one of my favorite actors starring in an old horror movie. The cheesier and more awful the movie, the better I enjoy the newbie actor’s performance. It’s comforting to know that these rich and famous actors, all at the top of their industry, started at the bottom like everybody else.
For a genre that doesn’t get much respect, horror consistently delivers new talent. Many of today’s A-Listers got their start in low-budget and shoddy horror films, while others were a little luckier with their early roles.
I figured, being as it’s Halloween time, I should pay homage to their early roles. First, it shows you just how much, um, range, some of these actors have (or not). Second, it’s fun to wonder how their careers would have been different had they not been Classroom Girl #1 in Urban Legends: Bloody Mary.
There’s also something so delightful about knowing that Tom Hanks, one of my favorite actors, started his acting career in a horror/thriller with terrible dialogue and ATROCIOUS acting, as evidenced by this clip.
If nothing else, I hope you enjoy this list for its Bad Movie Night potential. Seriously, I’ve never seen Leprechaun or Hellraiser: Hell World (what an amazing title!).
So, without further adieu, here is a list of 20 actors who saw their film debut in horror, followed by 20 actors who had early roles in some “iconic” horror films.
I have to be honest…I’m disappointed in the slate of horror movies for October 2018.
Shouldn’t the movie release calendar for October be overflowing with horror movies? I’m not even asking for good horror movies. I’ll take them all–well-made, shoddily-made, solid casts, bad acting, inventive premises, uninspired ripoffs–I don’t care.
Where are all the horror movies?
I suppose I should be thankful for the movies we have. After all, the latest Halloween comes out this month, and I could not be more excited! Netflix’s Apostle and indie film The Dark also look like great contenders for worthwhile horror.
In fact, I’m just going to spend a lot of my time on Netflix this Halloween. Between Apostle and Netflix’s new series, The Chilling Adventures of Sabrina and The Haunting of Hill House, Netflix seems like a sure bet for horror.
That’s not to say you shouldn’t check out the rest of the horror offerings this month. Maybe just…temper your expectations.
When I first heard about Grady Hendrix’s novel My Best Friend’s Exorcism, marketed as a cross between Heathers and The Exorcist, I just knew I had to read it. I love 80s nostalgia as much as the next person (since I am just barely a child of the 80s). I also love making fun of the 80s, what with the awful clothes and hair, the rampant and self-conscious conservatism, and the general tackiness.
And sure enough, My Best Friend’s Exorcism pays homage to this decade as much as it pokes fun at it. More than that though this novel is heartfelt and creepy, treading into the well-worn territory of fraught adolescent relationships. The result is a book whose nostalgia runs deeper than the pop culture references it deploys throughout.
I rail a lot against bad horror movies, the kind that are excuses to inflict a lot of violence, gore, and bad writing on audiences. As a horror fan, I wish to hold the genre to a certain standard of storytelling because the genre has so much to offer. But I’m realistic, and if a horror movie doesn’t live up to those standards (or even try), all I ask is that it’s at least entertaining. There’s nothing worse than a boring horror movie that tries way too hard.
However, I must confess that I have my own horror guilty pleasures. These are films that I acknowledge are poorly made movies with a laundry list of flaws. Yet somehow, I love them. I watch them over and over.
And my favorite horror guilty pleasure is 2003’s action-horror classic Underworld.
Today is the official start of the Toronto International Film Festival (TIFF), which marks the unofficial beginning of “prestige movie season”! Every year, major studio and indie films vie for spots on the TIFF line-up in the hopes of garnering buzz and positive reviews to hype their releases. They’re also hoping for the kind of critical acclaim that wins films prestigious awards.
Unlike some other festivals of this caliber, TIFF always makes room for horror movies in their lineup. In recent years, TIFF has showcased films like The Grudge in 2002, Hostel in 2005, Inside (À l’intérieur) in 2007, 2008’s The Loved Ones, Black Swan in 2009, The Lords of Salem in 2012, and Raw in 2016. Last year, TIFF screened mother!, Veronica, The Ritual (loved that movie!), Mom and Dad, and of course, Guillermo del Toro’s Oscar-winning The Shape of Water.
This year, TIFF has an impressive slate of horror movies, from the highly anticipated Halloween to quieter entries like The Wind. I can’t wait to see which ones will make a splash! Read on to see the full line-up!
Do you feel that change in the air? In Texas, it’s no longer 100 degrees every day, and the mornings almost feel…pleasant? It must be fall!
Now that summer is drawing to a close, we’re less than 60 days out from Halloween! That means we’re about to get a whole slew of horror movies in anticipation of our favorite holiday.
And boy, does September deliver a bunch of horror movies. The quality of these movies varies, but there are some exciting choices here, like Nic Cage’s metal-horror Mandy and the religious-horror film Don’t Leave Home. Due to a crowded October release schedule, we also get a lot of big-name horror films this month, like sequels The Nun and The Predator. There’s also The House with a Clock in Its Walls, which might go on to become a kids’ horror classic.
Let’s get to it!
The Venice International Film Festival officially kicks off today, serving as one of the most important stops on the film festival circuit. Venice is one of the three most influential film festivals in the world, up there with Cannes and Berlin. As such, films showcased at Venice are regarded as being the crème de la crème, as prestigious films that aim to elevate the medium of film.
Of course, horror films are often overlooked. But not always.
Do you know when Christmas for horror fans is?
If you said Halloween, I hate to break it to you, but you’re wrong.
Because horror Christmas starts this Thursday, August 23, 2018, when the FrightFest Film Festival kicks off in London, England.
As a genre, horror rarely receives the respect it deserves. Imaginative, crowd-pleasing horror films are too easily dismissed and underestimated by major studios and audiences alike. That’s not to say that there aren’t plenty of horror films that have wowed both dedicated horror fans and critics (a la Get Out, Hereditary, see my whole blog). But honestly, there are way more horror films deserving of attention, if not acclaim.
That’s why I started blogging about horror movies at film festivals and why I’m so excited about this year’s FrightFest. I wanted to bring attention to horror films that, against harsh odds, broke out of their confines and stampeded into the spotlight. From Sundance to Cannes to TIFF, horror movies are proving that they can hang with the best of the best.
Still, it’s exhausting always having to prove that point, isn’t it?
But this week, my horror-fan prayers will be answered by the 18th annual FrightFest, a unique film festival dedicated to horror and other genre-bending films. FrightFest initially started as a quest to give British horror fans a high-caliber horror film festival before quickly becoming an internationally renowned festival. FrightFest is the festival where Danny Boyle debuted the first reel of 28 Days Later, where Guillermo del Toro chose to premiere Pan’s Labyrinth instead of the more glitzy London Film Festival, and where Neil Marshall held a gala preview for The Descent.